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<rdf:Description rdf:about="https://archive.kent.ac.uk:443/record/catalog/BSUCA/OD/1/48" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <dc:title>Sarah Millican interviewed by Oliver Double </dc:title>
  <dc:description>Sarah Millican interviewed by Oliver Double at the Marlowe Theatre, Canterbury, 23rd April 2012. This interview was conducted by Double for his book 'Getting the Joke: The Inner Workings of Stand-Up Comedy', 2nd Edition (2014).
[Interview summary]
Oliver and Sarah chat as well as discuss venues, the Marlowe Theatre (Canterbury), and trying to find a suitable room. [2.56] How Sarah got into doing Stand-up (through a workshop). [13.01] How Stand-up has changed massively since 2004/ Television comedy. [19.56] The Royal variety show. [26.10] Identity of a comic on and offstage. [31.46] Audience interaction. [42.29]  Processes in creating material. [51.10] Superstitions for the stage. [56.15] Interview ends and Oliver and Sarah chat. [59.31] Recording ends.
[Analysis by Matthew Hoss]
- Sarah Millican started Stand-up/Poet in a workshop.
- Millican uses Cardboard index cards whilst onstage - as to not show the piece of paper shaking on stage.
- You progress at the rate you do gigs. If you do one gig a month - you progress at that rate - if you do three gigs a week you progress at that rate. 
- Sarah believes that Television is a key reason why many people come out to Stand-up. It is a great way to "advance your profile".
- Live comedy is the only format where there little to no filter. It's pure from other people affecting the performance.
- Television is not a route (except to touring) in regards to progression.
- Sarah was older before starting stand-up making her debut - and it made her a bit more world-wise. 
- Her on stage choices were "organic" and made a conscious choice.
- Audience interaction gives variety and spice to a show you are doing 100 dates of.
- With audience banter you get "points for being quick". It doesn't have to be entirely funny but just fast.
- The audience is not just one black mass - they are all individuals.
- The darkness of the audience gives the anonymity- giving them the power and confidence to shout out.
- Sarah has the licences to say filthy things to the audiences (and ask them filthy things) as she shares so much of herself onstage.
- Sarah gives badges out as a memento not as advertisements
- Make a note of everything that happens to you.
- Millican believes that every piece of new material deserves at least 3 goes.
- A comic must look after yourself - if you are knackered all the time, you are not as naturally funny.</dc:description>
  <dc:date>23/04/2012</dc:date>
</rdf:Description>